随着春天的脚步悄然而至，万物复苏，生机勃勃。在这个充满希望的季节里，第103期艺术沙龙以“复苏·希望”为主题，在SSBS校园内开幕。本次沙龙活动不仅为艺术爱好者们带来了一场视觉盛宴，更通过Lucas文赫凡的个人画展，通过细腻的笔触和生动的色彩，展现出了春天的生机与活力。

？？文赫凡同学此次画展共展出三十多副作品，重点介绍了其中十副，“小画家”分为三个篇章对画作进行了淋漓尽致地分享。

With the footsteps of spring quietly arrived, all things recovery, full of vitality. In this season of hope, the 103rd Art Salon opens on the SSBS campus under the theme "Recovery · Hope." This salon not only brings a visual feast for art lovers, but also shows the vitality and vitality of spring through the fine brushstrokes and vivid colors of Lucas 's personal exhibition.Lucas exhibited more than 30 works in this exhibition, focusing on ten of them. He divided into three chapters to share the paintings incisively and vividly.

PART 01

第一篇章 写实主义

由三幅画组成 《家园》《踏青》《绿植 静物》

？

？

?

？

？《家园》用丙烯颜料以及重彩油画棒绘制，描绘出主人公熊猫在大自然日益恶劣的情况下突出重围梦想回到理想家园。背景运用重彩油画棒细腻光泽的质感晕染出熊熊烈火，火焰的浓烈与前置的竹林形成强烈对比，保护动物保护大自然势在必行。

Homeland (2021)

This painting titled 'In the Name of Love' was exhibited at the Paris International Youth Art Exhibition in France. It depicts a panda yearning to return to its homeland, a sentiment intensified by environmental destruction that has displaced animals from their natural habitats. The painting employs acrylic paints for the main theme, while the background features boldly blended oil pastel flames, urging the necessity of environmental conservation.

？《踏青》丙烯颜料构图，描绘出疫情当前，我们渴望外面春天的景色，春代表一切的开始，是希望也是新生。巨幅作品，通篇大面积绿色，植物，远处的山景，天空的五彩云朵历历在目，这是春的启示是勃勃生机的生命力。

Spring Outing (2022)

Displayed at the 2022 'Storm' Shanghai Contemporary Art Exhibition, this artwork captures the essence of early spring and the revival of nature. It symbolizes new beginnings and the hope of life, utilizing outlined sketches and flat color applications with acrylic paints, filled with vibrant hues that represent endless beauty and hope.

？《绿植静物》静态描绘放在桌子上的花卉，丙烯颜料主题色彩。视觉表达出静置的物品彼此在同一空间不同维度的交错感，近处甚至叠加了金属笔和勾线笔进行勾勒，细节的处理使得这幅画多元素集成，值得细细品味。

Green Plants？Still Life (2023)

Participated in the 2023 'Chasing Youth' International Youth Art Exhibition in London. This piece features a combination of still life compositions from foreground to background, painted with acrylics. Observing this painting, one appreciates that beauty is always present around us.

PART 02

第二篇章 当代艺术

由四幅画组成 《男人与瓶子》 《流金岁月》 《涂鸦》 《流体艺术》

？

？

？

？ 《男人与瓶子》丙烯颜料铺底，勾线笔进行大面积线条勾勒，笔触精细稳健，男人硬朗的外表与瓶子形成呼应。不同侧颜以及面部细微的描绘正是瓶子装饰的同一艺术手法，看似毫不相干的两者在同一画面却和谐之极。

Man with Bottles (2023)

This artwork employs a combination of realism and artistic line work. The static, cool observation of a cold bottle juxtaposed with the face of an unfamiliar man creates a powerful visual impact, highlighted by underpainting and line embellishments.

？ 《流金岁月》丙烯颜料铺底，金属笔大面积线条勾勒，金属笔的质感正如他的名字，金属质地光亮夺目，不同线条融会贯通，流淌着的时间转瞬即逝，岁月啊你慢点走，让这金灿灿的一刻定格！

The Golden Years (2023)

A portrayal of line art, this piece presents a combination of various lines and their beautiful synergy, with a base color overlaid by metallic pen detailing. Using innovative artistic materials, the lines convey a metallic texture, providing a captivating visual experience.

？ 《涂鸦》丙烯颜料绘制，灵感来源于80年代美国街头艺术，这幅画里面大象，小狗，兔子都是我临时发挥的产物，想画什么就画什么，想怎么组合就这么组合，脑海里的东西呈现出来。

Graffiti(2023)

This painting depicts an elephant's birthday celebration, attended by joyful friends, representative of American street graffiti. It utilizes acrylic paints for spontaneous and vibrant creations.

？ 《流体艺术》丙烯颜料底部花卉生长，静态描绘，最上面流动的颜料仿佛在不停的往下流淌，动态十足。植物向上生长，流动的颜料往下滴落，平面的画作此刻三维空间立现。

Fluid Art (2023)

A contemporary art piece that includes floral background decorations, this work explores fluid color aesthetics using acrylic and diluted fluid paints. It seeks to find joy within the flowing artistic forms.

PART 03

第三篇章 古典艺术

由三幅画组成 《敦煌壁画》 《龙年特辑》 《将军罐》

？

？

？

？ 《敦煌壁画》致敬经典，临摹敦煌莫高窟第278窟，隋朝绘制胁侍菩萨。古朴的色泽，祥和的体态，以及仿佛看穿世间的微笑表情。千百年来未曾变过，致敬古典，致敬敦煌。

Dunhuang Murals (2024)

This painting is a reproduction study of the Bodhisattva from Cave 278 of the Mogao Caves, dating back to the Sui Dynasty, at Dunhuang. It honors ancient mural masters through the use of color replication with acrylic paints, paying tribute to Dunhuang art.

？ 《龙年特辑》丙烯颜料和浮雕艺术，对比色运用突出，描绘中华图腾龙，是民族的象征是威严与神圣。龙鳞是用超轻粘土一个一个搓成水滴形粘贴到板子上的，费时费工费料。希望新的一年龙腾虎跃。

Year of the Dragon Special (2024)

Featuring a dragon totem, this contemporary artwork deepens the understanding of Chinese totems. It combines multidimensional artistry with lightweight clay for the dragon scales and relief techniques, celebrating the Lunar New Year with hopes for prosperity.

？ 《将军罐》丙烯颜料和丙烯马克笔绘制。瓷器的器型犹如一位挺拔威武的常胜将军，故名将军罐。借用桔红色来进行铺底色，表面用高级灰色进行古典纹样线条勾勒，繁花祥云以及各类植物藤蔓。

General’s Jar (2024)

This painting is an artistic exercise in the depiction of antique ceramic vessels, resembling a valiant and majestic general. It merges retro color aesthetics with line work, combining gray tones with ancient vessel forms in a modern artistic expression.

？

？ ？ ？

？？这些画作鉴证了文赫凡在艺术道路上的成长，他通过画画抒发情感，在艺术的世界里感到无比愉悦和满足。他丰富多样的作品给我们带来了视觉的震撼，送给我们一个充满生机和希望的“春天”。他表示将继续努力进行创作，在艺术的道路上散发光芒，期待下次机会给大家呈现更多更精彩的作品。

These paintings testify to the growth of Wen Hefan on the road of art, he expressed his emotions through painting, and felt extremely happy and satisfied in the world of art. His rich and diverse works bring us a visual shock, giving us a "spring" full of vitality and hope, and let us feel the positive, optimistic and tough quality of "little painter", as well as his unique artistic perspective and spiritual world. He said that he will continue to work hard to create, shine on the road of art, and look forward to the next opportunity to show you more and more wonderful works.

？

？

文字 | 文赫凡