颜色、形状、元素——这些构成我们对外部世界认知的基本视觉语言，是人与自我、与外界对话的另一种方式，超脱于言语与其他感知之外。有些人天然地亲近某些形状特征与色彩；而当我们将它们付诸创作时，每一笔的纠结与沉浸的瞬间，都是在回答：“我究竟是什么？我想成为什么？”每一笔，都是对无数个可能的“我”的一次选择

“我”也许是不断折射的光，是流淌而出的色彩与能量，又或是某个被遗忘宇宙中的遗孤。我们心中的世界或许迥然不同，却同样随落笔而动，依心静而息。

Color, shape, line — these fundamental visual languages through which we read the outer world are also our silent dialogue with the self and the beyond, transcending speech and all other senses.

Some are born with an affinity for certain forms and hues; and when we commit them to creation, every brushstroke — in its hesitation and immersion — answers the twin questions: “What am I? What do I yearn to become?”

Each stroke is a choice among countless possible selves.

Perhaps the “I” is ever-refracting light, a spill of color and energy, or an orphan from some forgotten cosmos.

The worlds within our hearts may be vastly different — yet all stir with the falling brush, all rest in the hush of a quiet mind.

月寒霜银

11-8陈治平

人在创作自己喜爱的人物形象时，总会不会不自觉地将构成自我的元素投射其中；而完善角色的过程，也正是重构自我、探索“何以为我”的旅程。本次展出作品中的两位角色，一位是自我，另一位则是他者。二者看似一正一反，却共用同一套色彩与属性。而在我的科幻故事中，他们跨越时间以不同的方式为同样一个理想不断前进。我想，纯粹的“自我”与“他人”，本质上或许都是为了更好地成为自我而给自己的定义吧。

我从很小就非常喜欢各种科幻电影，那些装甲飞船还有无法触及的世界全貌填满了我的每一段白日梦。因此我认为去创作一段深刻的故事和一个复杂的世界是一件很酷的事情，一件值得我无比热爱的事情。我总是想着去“提纯”自己，剥开所有的外物，去留下最真实的自己。而创作对我来讲，便是对自己最真诚的“提纯”。我不必掩饰、不必顾虑，只用将那些冰冷的，温暖的，美丽的，丑陋的自我画下来便是。

真心来讲，我一直在被设计师和艺术家的双重标签困扰，好像我必须要做出选择，而我不认为我单单属于任何一个。创作的过程会让我更加意识到这个世界“灰”的存在，让我找到也许安心的位置。

When people create a character they truly love, they always, unconsciously, project parts of themselves into it. And the process of refining that character becomes a journey of reconstructing the self—an exploration of what makes me who I am.

In this exhibition, the two characters on display are, one might say, the self and the other. They seem like opposites, yet they share the same set of colors and attributes. And in my sci‑fi story, they cross time, each advancing toward the same ideal in their own way.

I’ve come to think that pure “self” and pure “other” are, in essence, just definitions we give ourselves in order to become more fully who we are.

I’ve loved sci‑fi movies since I was very young. Those armored spaceships and those unreachable visions of entire worlds filled every daydream I had. That’s why I believe creating a profound story and a complex world is something truly cool—something worth pouring all my passion into.

I’ve always wanted to “distill” myself—to peel away everything external and leave only the truest me inside. And for me, creation is the most honest form of distillation. I don’t have to pretend, I don’t have to worry. I just paint—cold or warm, beautiful or ugly—whatever the self really is.

To be honest, I’ve long been troubled by the dual label of “designer” and “artist.” It feels as if I have to choose one. But I don’t believe I belong entirely to either.

The process of creating makes me more aware of the “gray” in this world—and in that gray, I find a place where I might finally feel at ease.

捕捉自我

11-3 屈飞

自我往往是多面和混沌的。从一开始，当我还没有在考虑举办这场沙龙的时候，我的作品就已悄然向探寻自我的主题迫近。我对美术的感情是模糊的。我既没有轰轰烈烈的热爱，也缺乏高人一等的造诣。原先的我并不把美术当作一种追求，即使现在亦是如此。那绘画可能对我最大的意义就是摸索自我的过程了。

 

我是一个情绪化的人。我曾想象过思绪作为一个具象的组织，从我的头脑中肆意发散。那是外人看不到的，被隐藏的，更真实的自己。那是掺杂着焦虑，悲伤，憎恨，贪恋的我。但绘画可以让我触及内心深处的情绪，让我拥抱不加修饰的自我。

 

我还希望被认识到我是个多面的人。我不是什么“艺术家”或是满脑子艺术废料的人。我更认为我就是个渴望快乐，渴望自由的平凡的个体。唱歌能给我带来精神上的愉悦，和朋友的嬉耍也是。作品本身没什么高大上，它更像是

一支折射镜，照出了各不相同但又同样纯粹的自己。

画了那么多我，我觉得可以称得上是自恋。不过我认为自恋并不仅限于是盲目地欣赏自己，它对我来说也更是一种自我接纳吧。

The self is often multifaceted and chaotic. From the very beginning, even before I started thinking about holding this salon, my works had already quietly been approaching the theme of self-exploration.

My feelings toward art have always been vague. I've never had a blazing passion for it, nor do I possess extraordinary skill. I didn't use to regard painting as a pursuit, and even now, I still don't. Perhaps the greatest meaning painting holds for me is simply this: the process of groping my way toward myself.

I am an emotional person. I've imagined my thoughts as a tangible mass, wildly radiating from my mind. That is the side others cannot see—the hidden, truer self. The self tangled with anxiety, sorrow, hatred, and greed.

But painting allows me to reach those deep emotions, to embrace the unpolished version of myself.

I also want people to know that I am multifaceted. I'm not some "artist" or someone whose mind is filled with nothing but art junk. I see myself more as an ordinary individual who longs for happiness and freedom. Singing brings me spiritual joy, and so does laughing with friends.

My works aren't something lofty or pretentious. They are more like a set of mirrors—reflecting different yet equally pure versions of myself.

After painting so many "me"s, I think I can call myself self-absorbed. But I believe self-absorption isn't just blindly admiring oneself—for me, it's also a form of self-acceptance.

文字丨李沐丰

图片丨李沐丰

编辑丨李沐丰

策展丨包叶舟 李沐丰

审核丨杨蝉 包叶舟