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01

画展概览

自然之环——在秩序中发现永恒

画展以“自然之环”为核心。赖思瑜同学用色彩渐变和笔触变化来表现季节轮回与潮汐规律。她想让观众感受到，时间不是一直向前走，而是不断绕圈。在她看来，每一次结束都意味着新的开始，永恒就藏在这些重复的变化里。

02

展品聚焦

糖果屋的莫比乌斯——

在甜蜜中迷失，在循环中回归

展览中有一幅画比较特别，其灵感来自莫比乌斯环和格林童话《汉塞尔与格莱特》。画面中央是用姜饼、糖果、巧克力搭成的童话小屋。一条莫比乌斯环从小屋门口出发，穿过森林和糖霜铺的小路，最后又绕回门口——没有起点，也没有终点。

环带的一侧画着孩子初遇糖果屋时的惊喜：发光的糖果树、奶油云朵、水晶般的糖果。随着环面扭转，画面变成另一个场景——面包屑被鸟吃掉，女巫的影子出现在窗后。继续往前走，两个孩子手挽手走出森林，远处的糖果屋依然立在那里，等着下一个路人。

赖思瑜这样解释她的构思：“莫比乌斯环看起来有两个面，真正走上去才发现只有一个面。糖果屋的故事也一样——你以为自己在逃离危险，其实也在学习辨认方向；你以为自己被诱惑带偏了路，但正是这条弯路让你学会了警惕和勇敢。每一次循环都不是简单重复，而是带着上一次的经验重新出发。”

03

创作心声—— 赖思瑜

在循环中看见自己

用艺术连接世界

谈及为何选择“无限循环”这一主题，赖思瑜同学分享了自己的思考：“很多人觉得重复意味着枯燥，但我看到的却是力量。从地球的公转自转，到我们心跳的节拍，循环是这个世界最底层的逻辑之一。我画四季更替，是想表达一种宏大的秩序感；我画每日的重复，是想致敬平凡生活中的韧性。对我而言，绘画不仅是再现眼前的事物，更是一种思考时间和存在的方式。希望大家重新看看那些被我们习以为常的循环，从中找到属于自己的宁静和力量。”

从自然法则到日常点滴，从宏观秩序到微观温度，赖思瑜同学用她独特的艺术视角和细腻的表达方式，为我们呈现了一场关于“循环”的视觉盛宴。画展不仅展现了她对绘画技巧的掌握，更体现了她对生命哲学的主动思考。愿更多这样的艺术尝试在校园中生根发芽，也愿更多同学在观察、感受与创造中，找到自己与这个世界的独特连接方式。

Art is not an unattainable star, but rather a resonance of inner emotion and a unique insight into the laws that govern the world. Recently, Lai Siyu, a student from Grade 11-2 at our school, held a solo art exhibition titled "Infinite Loop." She turned her gaze to the recurring and ever-renewing phenomena of nature and daily life, capturing the order and poetry within cycles with her brush, leading the audience into a visual space of reflection on time, life, and eternity.

01

The Cycle of Nature—

Discovering Eternity Within Order

The first part of this exhibition, centered on "The Cycle of Nature." Lai Siyu focused her creative lens on the ubiquitous cyclical phenomena of the natural world, creating a visual sense of complementarity and continuity. Using delicate color gradients and rhythmic brushstrokes, she transforms these natural rhythms into flowing imagery on the canvas. As viewers pause before her works, they can almost feel that the passage of time is not a linear flow, but one graceful loop after another. Through these pieces, Siyu hopes to convey that every ending in nature harbors a new beginning, and that eternity resides within this seemingly repetitive change.

02

Exhibit Focus——

The Möbius Strip of the Candy House: Lost in Sweetness, 

Returning in the Cycle

Among the many works exploring cycles in this exhibition, Lai Siyu's piece, inspired by the dual concepts of the "Möbius strip" and the "Candy House," is particularly striking. At the center of the canvas stands a fairy-tale cottage made of gingerbread, candy, and chocolate at the turning point of the strip. The entire Möbius strip sets off from the door of the candy house, winding through the forest and across paths paved with icing sugar, only to quietly circle back to that familiar door — there is no beginning, no end, only an endless cycle of entering, losing one's way, and returning.

In handling this theme, Siyu cleverly transforms the core of the Grimm's fairy tale "Hansel and Gretel" visually. On one side of the strip, she uses warm, sweet tones to depict the children's surprise upon first encountering the candy house: candy trees glimmer in the moonlight, cream clouds hang from the windows, and the roof is paved with sparkling candies — that is the beginning of temptation, the first stop of the cycle. As the surface silently twists, the other side of the story gradually emerges: scattered breadcrumbs pecked by birds, the witch's figure hidden behind a window, the two children holding hands tightly by a campfire... "Losing one's way" and "escaping," "temptation" and "awakening" are placed side by side on the same continuous surface. Extending further, the strip brightens again — the two children walk out of the forest arm in arm, while the candy house still stands in the distance, waiting for the next traveler to pass by.

"What moves me most about the Möbius strip is that it looks like it has two sides, but once you step onto it, you realize there is only one side," Siyu explains her creative concept. "The story of the candy house is like that too — you think you are escaping danger, but in fact, you are also learning to find your way; you think you have been led astray by temptation, but it is precisely this detour that teaches you vigilance and courage. Each cycle is not a simple repetition, but a restart, carrying the experience of the previous loop. I painted this strip to express that in those moments in our lives that seem like 'retracing our steps,' we never truly return to the starting point — you stand in the same place, but with new understanding."

03

Artist's Voice——Lai Siyu: 

Seeing Ourselves in the Cycle, Connecting with the World Through Art

When asked about her choice of the theme "Infinite Loop," Lai Siyu shared her thoughts: "Many people think repetition means monotony, but I see power in it. From the Earth's rotation and revolution to the beating of our hearts, cycles are one of the most fundamental logics of this world. I paint the changing seasons to express a grand sense of order; I paint the repetition of daily life to pay tribute to the resilience of ordinary existence. For me, painting is not just about reproducing what I see, but also a way of reflecting on time and being. Through these artworks, I hope to encourage everyone to re-examine those cycles we take for granted — whether they are the laws of nature or the rhythms of our daily lives — and to discover within them a sense of peace and strength that belongs to each of us."

From the laws of nature to the minutiae of daily life, from macrocosmic order to microcosmic warmth, Lai Siyu has presented us with a visual feast about "cycles" through her unique artistic perspective and delicate expression. She has not only demonstrated mastery of painting techniques but also embodied an active engagement with the philosophy of life. With her brush, she proves that art can converse with philosophy, and that beauty can be found in every repetition around us. May more such artistic endeavors take root on our campus, and may more students find their own unique way of connecting with this world through observation, feeling, and creation.

文 | 11-2 赖思瑜

文字指导 | 李婷

图片、视频剪辑、编辑 | 曲昊睿

审核 | 苏晔