第130期艺术沙龙 “键盘上的两个世纪”钢琴独奏专场
键盘上的两个世纪
Two Centuries on Keys
2026年3月28日下午,上海星河湾双语学校第130期艺术沙龙"键盘上的两个世纪"钢琴独奏音乐会如约奏响。本场艺术沙龙由许老师指导,12年级学生戴盈盈(Yolanda)同学倾情演奏。从巴洛克到浪漫主义,跨越两个音乐世纪的经典之作,在黑白琴键上交织成一场穿越时空的对话。
On the afternoon of March 28, 2026, the 130th Art Salon of Shanghai Star River Bilingual School, a piano recital entitled "Two Centuries on Keys," graced the stage. This salon was directed by Ms. Mandy Xu and performed by 12th-grade student Dai Yingying (Yolanda). From Baroque to Romanticism, classic masterpieces spanning two musical centuries intertwined on the black and white keys to create a dialogue across time and space.
巴赫《C大调前奏曲》BWV846
Johann Sebastian Bach: Prelude in C Major, BWV846
这首作品是整部曲集的开篇之作,由一系列简单的分解和弦构成,流动的琶音营造出庄严而安宁的氛围。
This piece is the opening work of the entire collection,
with flowing arpeggios creating a solemn and peaceful atmosphere.
巴赫《C小调前奏曲》BWV847
Johann Sebastian Bach: Prelude in C minor, BWV847
与第一首的宁静形成鲜明对比,这首前奏曲充满了戏剧性的张力与激情。乐曲以急速的律动和粗犷的托卡塔风格段落,营造出紧迫而强烈的感情色彩。
This piece is dramatic and passionate, very different
from the first prelude, with rapid rhythm and rugged
toccata-style passages creating an urgent atmosphere.
巴赫《升C大调前奏曲》BWV848
Johann Sebastian Bach: Prelude in C-sharp major, BWV848
这首前奏曲洋溢着明媚与活力,乐评人形容其如"沐浴夏日之阳光"。轻盈流畅的音型充满无忧无虑的喜悦感。
This prelude overflows with brightness and vitality,
described as "bathing in summer sunlight," full of
carefree joy.
肖邦《A小调前奏曲》Op.28 No.2
Frédéric Chopin: Prelude in A minor, Op.28 No.2
整首作品在缓慢的律动中始终保持着压抑的紧张感。左手沉重的附点节奏如葬礼步伐般不断重复,右手漂浮着支离破碎的半音化旋律,仿佛是肖邦对故土命运的迷惘与痛苦独白,最终在无尽的黑暗中悄然消逝。
The entire piece maintains suppressed tension throughout
its slow rhythm. Heavy dotted rhythms in the left hand
repeat like funeral steps, while fragmented chromatic
melodies in the right hand express the composer's anguish.
肖邦《G大调前奏曲》Op.28 No.3
Frédéric Chopin: Prelude in G major, Op.28 No.3
与前一曲的阴霾截然不同,这首前奏曲轻盈灵动。左手疾速的十六分音符如脉搏般不息,右手以断奏的明亮旋律点缀其上,宛如阳光下跳跃的音符。
This piece is light and lively, very different from the
last one. Fast left-hand notes run like a heartbeat, while
bright right-hand melodies sparkle like sunlight on water.
肖邦《B小调前奏曲》Op.28 No.6
Frédéric Chopin: Prelude in B minor, Op.28 No.6
这首被称为"雨滴"前奏曲的姐妹篇,弥漫着极度的忧伤与沉思。低音区如挽歌般哀婉吟唱,高音区则是单调而执着的重复音,如同雨滴敲打窗棂,更似泪水无声滑落。
Often called the sister to the "Raindrop"
Prelude, this piece permeates sorrow. A mournful melody in
the low notes is accompanied by persistent repeated tones in
the high notes, like raindrops or silent tears.
Two Centuries on Keys
肖邦《E大调练习曲》Op.10 No.3 "离别"
Frédéric Chopin: Étude in E Major, Op.10 No.3 "Tristesse"
这首练习曲是一条无比优美、饱含深情的旋律,被许多音乐家认为是肖邦写过的最美的旋律。它抒发的是作曲家对故土波兰的深切眷恋与离别之痛。中段的激情澎湃与主题的回归,仿佛是在撕心裂肺的思念后,重归平静的忧伤。
This etude is not about technique. It has one of the
most beautiful melodies Chopin ever wrote. It expresses the
composer's deep attachment to his native Poland and the pain
of separation.
贝多芬《C小调悲怆奏鸣曲》第三乐章 Op.13
Ludwig van Beethoven: Piano Sonata No.8 in C minor, Op.13 "Pathétique" - 3rd Movement
这是贝多芬早期钢琴奏鸣曲的巅峰之作,也是他亲自标注"悲怆"标题的唯一一首奏鸣曲。在疾速的律动中展现出一种不屈的挣扎与倔强的生命力。主题如旋风般奔腾,其间穿插着短暂的抒情与宁静,但最终又被不可阻挡的动力所席卷,完美体现了贝多芬在命运重压下"通过斗争,获得胜利"的英雄主义精神。
This is a masterpiece of Beethoven's early piano
sonatas, showcasing an indomitable struggle and tenacious
vitality in its rapid rhythm.
肖邦《降E大调平静的行板与华丽的大波兰舞曲》Op.22
Frédéric Chopin: Andante spianato et Grande polonaise brillante in E-flat Major, Op.22
这部作品以"平静的行板"开篇,旋律宁静优雅,舒展流淌,展现了肖邦作品中少有的恬淡与从容。随后毫无预警地切入辉煌的"大波兰舞曲",钢琴技巧被发挥到极致,节奏铿锵,色彩华丽,展现了波兰民族舞蹈的骄傲与贵族气息。
The work opens with a tranquil and elegant melody that
flows smoothly and gracefully, showcasing a rare serenity
and composure in Chopin's compositions.
肖邦《降E大调夜曲》Op.9 No.2
Frédéric Chopin: Nocturne in E-flat Major, Op.9 No.2
这首肖邦最著名的夜曲,也是浪漫主义音乐的极致缩影。旋律如歌如泣,充满了装饰性的花腔,却毫无造作之感,仿佛是一位男高音在夜色中深情咏叹。左手伴奏平和稳定,右手旋律则自由地流淌,时而温柔,时而激动,最终在甜蜜与惆怅交织的气氛中悄然落幕。
This is Chopin's most famous Nocturne. The melody sings
like a voice in the night, full of decoration but natural.
The left hand stays calm and steady while the right hand
moves freely—sometimes soft, sometimes excited—ending in a
mix of sweetness and sadness.
肖邦《C小调革命练习曲》Op.10 No.12
Frédéric Chopin: Étude in C minor, Op.10 No.12 "Revolutionary"
这首惊心动魄的练习曲。左手是如火山喷发般势不可挡的琶音洪流;右手则奏出激昂而坚定的号角式主题,表达了不屈的斗志和对自由的呐喊。
This is a breathtaking etude. The left hand unleashes an
unstoppable torrent of arpeggios like a volcanic eruption,
while the right hand plays a stirring and resolute horn-like
theme, expressing an indomitable fighting spirit and a cry
for freedom.
Two Centuries on Key
Yolanda 以一场独奏音乐会,为自己的十八岁留下了一个特别的印记。从巴洛克到浪漫主义,从巴赫到肖邦,这场音乐会跨越两个世纪的钢琴文献,在黑白琴键间一一呈现。未来还很长,愿她在钢琴的世界里继续自由地生长,我们期待下次再见。
On this March 28th, Yolanda marked her eighteenth birthday with a solo concert — a dream finally realized after years of dedication. From Baroque to Romanticism, from Bach to Chopin, the program traced two centuries of piano literature across the keyboard. We wish her continued growth and many more performances to come.
如有意参加艺术沙龙的同学请与班主任或艺术组联系
文字:戴盈盈
图:星校电视台
编辑:许馨元
审核:杨蝉


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