English 联系我们
您所在的位置： 首页 > 最新资讯 > 艺术沙龙

第125期艺术沙龙 “潼声·共鸣”马林巴专场音乐会

      2025年10月17日，上海星河湾双语学校第125期艺术沙龙“潼声·共鸣”马林巴木琴专场圆满奏响，这是学校首场马林巴专场沙龙。整场演出由周潼同学独立策划与演奏，廖为治老师担任打击乐专业指导，许馨元老师担任艺术指导。本场沙龙融合了古典与现代的音乐元素，展现了少年演奏者对打击乐艺术独特而深刻的理解与表达。

On October 17, 2025, Shanghai Starriver Bilingual School presented its 125th Art Salon, “Tong Sheng · Resonance”—a marimba recital. This marked the school’s first-ever marimba solo recital. The performance was independently planned and performed by student Jeason Zhou, with Mr. Liao Weizhi serving as percussion instructor and Ms. Mandy as artistic director. Blending classical and contemporary elements, the concert showcased the young performer’s unique and insightful interpretation of percussion art.

Marimba

        整场演出精选了包括古典改编作品与现当代创作共九首曲目，一气呵成。既有克劳迪奥·圣安杰洛的《马林巴交响》中气势恢宏的交响化表达，也有圣安杰洛创作的《卡莲特芭蕾》里炽热奔放的拉丁节奏，而在《自由探戈变奏曲》里，又通过复杂的节奏变化展现出拉丁音乐的炽热情感。特别值得一提的是，周潼创新性地使用颤音琴演绎《阿拉伯风格曲第一首》，通过颤音琴特有的金属共鸣与绵长延音，为这首钢琴曲注入了空灵梦幻的新维度。

        演奏开始之前，周潼专门向嘉宾们介绍了马林巴木琴这种乐器，马林巴是一种具有丰富共鸣的键盘打击乐器，被视为木琴的“近亲”，但音域更宽广、音色更温暖柔和。它由一系列玫瑰木或合成材料制成的琴键组成，下方装有金属共鸣管以放大和润色声音，演奏者使用缠线或毛毡的琴槌进行敲击，如今已成为管弦乐队及独奏领域中不可或缺的明星。

The concert featured nine pieces, spanning classical arrangements and contemporary works. Highlights included the grandeur of Claudio Santangelo’s Marimba Symphony, the fiery rhythms of his Caliente Ballet, and the passionate Variations on Libertango.A special highlight was Jeason’s innovative performance of Arabesque No. 1 on the vibraphone, which added a shimmering, dreamlike color to the original piano piece.Before the concert, Jeason introduced the marimba—a warm, resonant keyboard percussion instrument known for its wide range and rich tone, now a vital voice in both orchestral and solo music.

Tong Sheng  · Resonance

       音乐会以阿根廷作曲家克劳迪奥·圣安杰洛的《马林巴交响》开场，作品通过丰富的和声与强烈的节奏展现了马林巴的独特音色与交响气势。随后，周潼演奏了爱丽丝·戈麦斯与玛丽莲·赖夫的《雨之舞》，以重复动机与动态对比描绘雨的节奏，融合民族元素与现代技法。接着是圣安杰洛的《卡莲特芭蕾》，充满拉丁激情与四槌技巧，呈现出热烈舞蹈的画面。特别亮点是周潼以颤音琴演绎德彪西的《阿拉伯风格曲第一首》，金属共鸣与柔和延音营造出梦幻空灵的意境，在古典结构与现代音响之间形成迷人的对话。

The concert opened with Claudio Santangelo’s Marimba Symphony, highlighting the marimba’s rich harmonies and dynamic contrasts. Jeason then performed Rain Dance by Alice Gomez and Marilyn Rife, portraying the rhythm of rain with repetitive motifs, dynamic contrasts, and ethnic influences. Next was Santangelo’s Danza Caliente, a fiery Latin-inspired solo with four-mallet techniques. A special highlight was Jeason’s vibraphone performance of Debussy’s Arabesque No. 1, where resonant metallic tones and shimmering sustain created a dreamlike, ethereal dialogue between classical form and modern sonority.

        上半场结束后， 周潼的打击乐指导老师廖为治老师登台进行了深情点评。他充分肯定了周潼在打击乐学习过程中的热情和持续努力的练习，能在这个年纪敲奏这么多首有难度的曲目，很不容易，他轻拍爱徒的肩膀寄语："希望你继续保持对打击乐的热情，继续在打击乐这个领域取得更大的进步。" 

After the fourth piece, Jeason’s percussion instructor, Mr. Liao Weizhi, took the stage to offer heartfelt remarks. He praised Jeason’s passion and perseverance in percussion study, acknowledging the remarkable achievement of performing several technically demanding works at such a young age. Gently patting his student’s shoulder, Mr. Liao encouraged him, saying, “Keep your love for percussion alive, and continue to grow and reach new heights in this art.”

       下半场音乐会第一首作品是法国作曲家埃里克·萨米特改编皮亚佐拉的《自由探戈变奏曲》，充分展现马林巴多声部表现力，以华丽颤音、跳跃和声与富有冲击力的节奏，既保留探戈灵魂，又赋予打击乐炫技魅力，推向急速高潮。随后，他演奏了巴赫《B小调第一帕蒂塔》中的“急板”，温暖音色与精准节奏为庄严结构注入现代感。接着是日本作曲家村松崇继的现代沉思作品《陆地》，通过缓慢旋律、空灵和声与节制节奏，营造辽阔、略带忧郁的音响空间，体现东方美学。临近尾声，周潼演奏了美国作曲家凯西·坎杰洛西的《Character No.2》，融合双槌滚动、四槌旋律及琴键和琴框扩展技巧，在旋律、和声与节奏间自由切换，形成多层次、富戏剧性的现代马林巴独奏，展示打击乐的爆发力与表现极限。

Character No.2 , Casey Cangelosi

The second half of the concert featured Jeason in a series of captivating performances. He opened with Libertango Variations on Marimba by Eric Sammut, adapted from Astor Piazzolla, showcasing the marimba’s polyphonic potential with vibrant rhythms and dazzling tremolos.

Next, he performed Double Presto from Bach’s Partita No. 1 in B minor, whose warm resonance and precision brought new vitality to the piece. This was followed by Takatsugu Muramatsu’s contemplative Land, creating a spacious, introspective soundscape. Near the program’s conclusion, Jeason performed Casey Cangelosi’s Character No.2, a groundbreaking solo work that combines advanced techniques to weave melody, harmony, and rhythm into a dramatic, multi-layered sound world.

潼声·共鸣

        演出最后环节周潼带来了安可曲《茉莉花》，由廖为治老师专为颤音琴改编。金属音色与绵长颤音营造梦幻意境，晶莹琶音、轻盈滚奏与电子延音让旋律空灵现代。音乐会在最后音符的余韵中圆满落幕。

The final encore was Jasmine Flower, specially arranged for vibraphone by Mr. Liao Weizhi. Metallic tones and sustained vibrato created a dreamlike atmosphere, with crystalline arpeggios, delicate rolls, and ethereal sustain transforming the melody. The concert concluded in the lingering reverberation of the final note.

       在整场音乐会中，周潼不仅是在演奏音乐，更是在击打自己成长的回响。每一个音符都承载着他对音乐的热爱与投入。通过这场独奏音乐会，周潼获得了深刻的艺术启迪：他不仅提升了舞台表现力和音乐表现力，更掌握了通过旋律传达个人成长的艺术。观众们的由衷共鸣证明了音乐是连接灵魂的强大桥梁，这段宝贵经历将永远激励他在音乐的道路上不断前行。

As the mallets rose and fell upon the marimba, Jeason was not merely performing music—he was striking the echoes of his own growth. Each note carried his devotion to music. Through this recital, Jeason gained profound artistic insight: he not only enhanced his stage presence and musical expressiveness but also mastered the art of conveying personal growth through melody. The audience’s heartfelt resonance confirmed that music is a powerful bridge connecting souls. This precious experience will forever inspire his ongoing journey in the world of music.

 

如有意参加艺术沙龙的同学请与班主任或艺术组联系

 

文字：周潼

 图：星校电视台

编辑：许馨元

审核：杨蝉